 
		Mary Fletcher, Current Sauce – Contributing Writer
 
			Tips for attending the Natchitoches Christmas Festival
						
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			“Roma” brings new light in film industry for Hispanics
						
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			Creole Heritage Center showcases “Elemental Threads”
						
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			NSU’s Department of Music showcased their faculty
						
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			TikTok and Snapchat AI’s : Is science fiction becoming a reality?
						
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			“Pirates of Penzance” was a swashbuckling good time!
						
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			Natchitoches and NSU celebrate Ramadan
						
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			Kate Bush paved the way for female creatives
						
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			“This Is Why” reflects a more mature sound for Paramore
						
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			Does Kaleidoscope redefine the “heist film” genre?
						
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			Local businesses offer discounts during the holidays
						
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			STO members shine in fall STOcase: “Songs of the Rainbow”
						
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			Modern in Motion never ceases to amaze
						
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			Demons Come out at Night pep rally headlined by 3OH!3
						
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			Texas church under fire for “Hamilton” re-write
						
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			Doctor Who: a timeless classic
						
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			“Fresh” examines human connection
						
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			“Turning Red” is an unflinching look at tweenhood
						
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			“The Beatles: Get Back” examines the end of a legacy
						
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			Students react to lifting of mask mandate
						
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			“Encanto” lives up to the hype
						
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			STO’s “Firebringer” brings the heat
						
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			Is Disney’s take on “Home Alone” worthwhile?
						
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			“Alice in Borderland” is filled with the unexpected
						
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			How to engage in end of semester self-care
						
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			“It’s a Wonderful Life” has a lesson to teach viewers
						
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			What happened at AstroWorld?: students weigh in
						
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			“Jagged Little Pill” fails to provide the representation it promises
						
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			“Raya and the Last Dragon:” a princess who doesn’t need saving
						
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			“Reservation Dogs” works to properly represent indigenous people
						
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			“Last Chance U:” a heartworming redemption story
						
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			Outer Banks brings depth to the teen drama genre
						
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			Willow Smith recreates her legacy with newest album
						
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			“SOUR” Review: God! it’s brutal out here
Olivia Rodrigo returns listeners to the 2000s
													
													
					
													
						
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